
Sinologie française, n° 19. Le souci du passé. Antiquarianismes et pratiques de patrimonialisation en Chine et ailleurs / 《法国汉学》第19辑《尚古风潮与遗产化实践的中外比较》
Edité par Guillaume Dutournier & Max Jakob Fölster / 主编 杜杰庸、马勀思
Ce numéro 19 de Sinologie française porte sur la façon dont les sociétés de différentes époques, en particulier en Chine et en Europe mais aussi en Inde, se soucient – prennent connaissance et prennent soin – des traces matérielles du passé, ainsi que sur les modalités pratiques et institutionnelles par lesquelles elles leur font une place dans le présent. Le but est de fournir un panorama non exhaustif des formes qu’a pu prendre la valorisation du passé, à travers un focus sur certains des gestes fondamentaux du rapport actif aux traces du passé : conserver, restaurer, détruire. Il s’agit de montrer que ces gestes apparemment universels sont investis de valeurs différentes selon les contextes historiques et culturels où ils prennent place. Au-delà de la gestion du bâti, le rapport aux artefacts ainsi qu’aux textes est pris en compte – d’où notre intérêt pour la question du musée et pour les divers aspects contemporains de la fabrique du « patrimoine ». Nous tâchons ainsi d’explorer la variété des formes d’objectivation de l’« ancien » et la pluralité des logiques relationnelles qui permettent à chaque fois d’impliquer les traces du passé dans des démarches spécifiques.
Continuer la lecture
This book provides a comprehensive examination of ethnographic albums in Yunnan during the Qing dynasty (1644–1911). The authors Li Li (Yunnan Normal University) and his co-author Shi Qing (Yunnan Forestry Technical College) focus on two central aims. The first is to concentrate on the content depicted and documented in the ethnographic albums. In order to achieve the goal, the authors illustrate the intricate details of the characteristics and customs of diverse ethnic groups in Yunnan during the Qing dynasty. The second aim revolves around the motivations of the illustrators. The book endeavors to uncover the underlying rationales that drove the creation of these ethnographic albums. Whether their motivations stemmed from a scholarly desire to document the diversity of ethnicities or whether they were swayed by political, social, and cultural conditions in frontier regions, the illustrator’s intentions added layers of complexity to the local history of Yunnan.
Everybody working in the field of new religious groups in late imperial China will be familiar with Cao Xinyu’s 曹新宇 essential contributions, especially the 2012 donation of a cache of northern Chinese religious images and texts he received from an elderly lady in Wanquan 萬全 County (in the far north of Hebei Province) who wanted to ensure that her cultural inheritance ended up in the right hands. The complete find was published in Taiwan the following year and thus became generously available to international scholars (p. 1–7).
Wang Rui’s new biography of Zhang Taiyan, entitled The Revolutionary Confucian Scholar, is part of a wave of new research on Zhang Taiyan in China sparked by the publication of the revised version of the Zhang Taiyan nianpu changbian 章太炎年谱长编 (Nianpu biography of Zhang Taiyan) and the new edition of Zhang Taiyan quanji 章太炎全集 (The complete works of Zhang Taiyan).
Since the seminal work by Nishijima Sadao 西嶋定生 in the early 1960s, the nature, institutional design, and social implications of rank (jue 爵) during the Qin and Han dynasties (221 BCE–220 CE) continue to attract scholarly attention. Using unearthed legal and administrative materials, recent research has substantially expanded, revisited, or even refuted Nishijima’s model. In light of the newest works of Chinese, Japanese, and Korean scholars, Jia Liying’s book offers a timely synthesis of this long-standing academic debate.
Wang Yongping is a Professor of History at the Capital Normal University in Beijing and a leading scholar of Daoism under the Tang Dynasty (618–907). Following in the wake of his earlier books on Tang entertainments (1995), the cultural history of the Sui, Tang and Five Dynasties period (2000), and Daoism in Tang society (2002), the present volume addresses four related subjects: (1) Daoism and the Tang social order, with special reference to the place of women; (2) the trajectories of selected Daoist priests and their networks of social relationships; (3) Daoism in daily life under the Tang, notably the Daoist imprint on seasonal festivals, folk customs, and popular practices; and (4) the interaction and different degrees of integration between the Three Teachings (Daoism, Confucianism, and Buddhism). In ten chapters, framed by an introduction and an afterword, Wang thus explores the broad impact of Daoism on the everyday life of Tang society.
Since the beginning of the 21st century, studies on Kang Youwei (1858–1927) have experienced a steady and consistent surge, especially in the context of reassessing the late Qing period beyond the traditional interpretation of the “Western shock” as the predominant (if not the only) impulse to the radical transformation of China at the dawn of the 20th century. Over the last decades, more careful observation of the developments from the Jiaqing 嘉庆 period (1796–1820) onward has demonstrated the multiplicity of “intellectual paths” that Chinese élites were exploring well before the acceleration imposed by the forced penetration of Euro-Atlantic concepts (and their Japanese re-elaborations). These observations align with a more nuanced and detailed approach to the evolution of Chinese concepts, as seen in the light of Begriffsgeschichte
This monograph by Zhang Xiping, distinguished professor at Beijing Language and Culture University (北京语言大学) and Beijing Foreign Studies University (北京外国语大学), focuses on the intellectual exchange in philosophical and religious fields between China and Europe. This includes classical and medieval philosophies and Christianity in Europe and Confucianism, Buddhism, and Daoism in China. First published in 2001 and republished in 2010 and 2021, the 2021 edition of the book belongs to the book series Ruxue yu Ouzhou wenming yanjiu 儒学与欧洲文明研究 (Studies on Confucianism and European Civilization). According to Zhang, the 2021 edition inherited the structure of the previous editions but with a few amendments to details, which readers can notice from his citation of more recent publications (p. 530).
Wei Shanling’s book on the Guomindang Government’s Aid to Chinese Overseas Students is an in-depth analysis of the discourse between various government institutions on the disbursement of financial aid for living expenses and return tickets to struggling overseas Chinese students during the Second Sino-Japanese War and its aftermath until 1946. The study is a result of Wei’s doctoral research at Nanjing University and was published in the “Universities and Contemporary China” (Daxue yu xiandai Zhongguo 大學與現代中國) series, edited by her supervisor Zhu Qingbao 朱慶葆, who also contributed a preface on the role of universities in the making of modern China.
Chang Jianhua’s Policies on Governance and People’s Livelihood in the Early Qing Period represents a growing interest and trend among Chinese scholars in revisiting Qing (1644–1911) history in recent years. It includes eighteen essays, all of which were previously published in various Chinese academic journals between 2008 and 2020, by the author on topics ranging from the political consolidation of the Qing to the dynasty’s economic policies. The compilation is one of eleven volumes from the fourth edition of the ‘Collected Papers of Nankai Historians’ (南开史学家论丛).
I am interested in the relationship between theater and society, and so I was excited to read the new book by Hu Xingliang, Trends of Thought in Modern Chinese Theater – The Modernization of Theater and the Modernization of Society (hereafter Trends of Thought). However, I soon realized that it is not a new book at all, but a slightly revised version of Ershi shiji Zhongguo xiju sichao 二十世纪中国戏剧思潮 (Trends of Thought in Chinese Theater in the Twentieth Century), published in 1995 by Jiangsu wenyi chubanshe. Nevertheless, Hu Xingliang is such an important figure in modern Chinese theater studies that his book still deserves a critical review. As a matter of fact, Trends of Thought has been republished along with three other books by Hu to celebrate his scholarly accomplishments and the results of various large research projects conducted over the last several decades.
Almost fifty years ago, tomb 3 of the early Han Mawangdui 馬王堆 site (hereafter MWD) in Changsha was excavated in December 1973 and could be dated to 168 BCE. The archaeologists unearthed a wealth of artefacts similar to those found in tomb MWD 1 which had already been excavated in 1972. However, a lacquered chest containing two bamboo manuscripts and more than two dozen silk manuscripts had a much longer-lasting impact on the study of ancient China than the mummy of the tomb owner found in MWD 1.
This book examines the representation of disasters in oracle bone inscriptions from the late Shang dynasty (ca. 13th century–11th century BCE). Disasters are a ubiquitous topic in oracle bone inscriptions, as almost every inscription is connected in one way or another with an attempt to prevent or investigate ominous and harmful events of various magnitudes. However, to date, no comparable monograph has attempted to explore the matter to its fullest extent or for its own sake.