Chen Songchang 陳松長, Mawangdui boshu yanjiu 馬王堆帛書研究 (Studies on the Mawangdui Silk Manuscripts), Beijing 北京: Shangwu yinshuguan 商務印書館 2021. ISBN 9787100196345; 6, 440 pages; 198 RMB.
Reviewed by Michael Friedrich (Universität Hamburg)
Almost fifty years ago, tomb 3 of the early Han Mawangdui 馬王堆 site (hereafter MWD) in Changsha was excavated in December 1973 and could be dated to 168 BCE. The archaeologists unearthed a wealth of artefacts similar to those found in tomb MWD 1 which had already been excavated in 1972. However, a lacquered chest containing two bamboo manuscripts and more than two dozen silk manuscripts had a much longer-lasting impact on the study of ancient China than the mummy of the tomb owner found in MWD 1.[1]
Due to the political struggles of the time, so it is said, the excavation campaign and the treatment of the artefacts immediately following it were a far cry from international standards and caused, in addition to a lack of documentation, further damage.[2] All silk artefacts from the site, including the two paintings hanging on the eastern and western walls of the coffin chamber and the T-shaped banners from MWD 1 and MWD 3 were transferred to the Palace Museum in Beijing, because the Hunan Provincial Museum 湖南省博物館 (officially now Hunan Museum) did not have any previous experience with this type of artefacts. The Palace Museum treated the most spectacular ones first, among them the two scrolls containing the Laozi 老子 text. After conservation and mounting on paper, the fragments of the artefacts were taken back by conservators of the Hunan Provincial Museum.[3]
The history of research on the MWD written artefacts has yet to be written, a first and apparently incomplete overview is provided in the latest edition of the manuscripts’ contents from 2014.[4] According to this summary, three main stages may be discerned:
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